Information System and Knowledge Management Essay

Information System and Knowledge Management - Essay Example Ans: In Information systems the name of a particular aspect does not represent its identity. It can be catered to several aspects of Information system. In data communication terminology, data is sent across several networks and it faces possible threats of stealing information by intruders. Thus obscuring data is essential and thereby name is hidden from its identity for safety reasons. It is also termed as encryption where the original data or identity is concealed and does not represents its real name. The concept of I-names and IP addresses where the original name is usually hidden with user friendly ones are also a good example. The domain names are usually represented by user friendly names which are in reality numbers which represents a unique address. Domain names are intended to unambiguously associate a name to an IP address. This cultural identity and empowerment comes from seeing communication and identification occurring in a way that seems natural in one's native language. While the bulk of the content on the Internet has been in English, this is increasingly changing. (Christine, 2006) The importance of the distinction is a balanced presentation of whether names should be allowed to represent its identity or not. Online personal spaces which allow a person to be known over the internet are often represented by his identity and his real name is often hidden. For instance, in many cases in these spaces it is difficult to check the validity of the information declared by a user, and therefore to trust the validity of the "displayed" identity (for instance people do not hesitate to change gender in online forums or online games). For instance, a... The importance of the distinction is a balanced presentation of whether names should be allowed to represent its identity or not. Online personal spaces which allow a person to be known over the internet are often represented by his identity and his real name is often hidden. For instance, in many cases in these spaces it is difficult to check the validity of the information declared by a user, and therefore to trust the validity of the â€Å"displayed† identity (for instance people do not hesitate to change gender in online forums or online games). For instance, a fantasy world will give an insignificant employee in the real world the opportunity to become a renowned knight, a blog will provide a professor the possibility to become a rock and cultural critic, and a dating system will permit an introvert to overcome his/her shyness in an online world and to engage in some relationships with individuals of the opposite gender. The negative approach to the distinction is that enormous fraud is taking place with regard to identity theft and false impersonation which results in a breach of law and trust. There are several ways in which universal categories obscure important information. In the field of astronomy, it is observed quite a much. The scientific case is itself controversial, but many scientists and philosophers believe in the existence of unobservable, provided the theories that postulate them best explain the observable phenomena under study. For example, many believe the universe contains â€Å"black holes".

Energy Drink Essay Example for Free

Energy Drink Essay Since the mid-2000s, demands in the global beverage industry shift from carbonated soft drink to alternative beverages. Because of this market grows rapidly and gives high profit margins, it make changes in beverage manufacturing and encourage new entrant to focus solely on alternative beverages. Alternative beverages segment is comprised of energy drinks, sports drink, and flavored or enhanced water. Each segment has different consumer types and different distribution channel. In developed countries, such as USA, this carbonated soft drink market has reached a mature stage but energy drink and ready-to-drink tea is still inclined. However, beverage industry is steady growth in developing countries. Alternative beverages competed on the basis of differentiation from traditional drinks such as carbonated soft drinks or fruit juices. All energy drink brands attempted to develop brand loyalty based on taste, the energy-boosting properties of their ingredients, and image. The strongest competitive force is buyer because buyer costs to switch brands are low. Consumers will be more prices sensitive and will switch to other product or even other segment. The weakness competitive force is rivalry because of many sellers in this market and diversity in commodities. The high profit margins will make alternative beverage market attract entrants that are more new, also supported by rising demand for the alternative beverage. Energy drinks pricing is 400% higher than carbonated soft drinks. In addition, to create an alternative beverage business needs medium-high capital investment. The market of global beverage industry is projected to grow from $1. 58 trillion in 2009 and forecasted to grow to nearly $1. 78 trillion in 2014 as beverage producers entered new geographic markets, developed new types of beverages, and continued to create demand for popular drinks. It is expect to result from steady growth in the purchasing power of consumers in developing countries. In addition, alternative beverages tended to carry high price points, which made them attractive to both new entrants and established beverage companies. Sport drinks and vitamin-enhanced beverages tended to carry retail prices that were 50 to 75% higher than similar-size carbonated soft drinks and bottled water, while energy drink pricing by volume might be as much as 400% higher than carbonated soft drinks. While the alternative beverage segment of the industry offered opportunities for bottlers, the poor economy had decreased demand for higher-priced beverages, with sales of sports drinks declining by 12. 3%. The Alternative beverages consumer profile varied substantially across the three types of beverages. Then energy drink consumer was a teenage boy, sports drink consumer were purchased by those who engaged in sports, fitness or other strenuous activities. Vitamin-enhanced beverages could substitute for sports drinks but were frequently purchased by adult consumers in increasing their intakes of vitamins. The best position strategic group map is reasonable price and reasonable quality. The worst position is the low price and quality. Now people think about health more than in the past, and they still worry about economic crisis. The alternative beverage chose set strategic group map with answer key we are alternative. We found that key factors, which determine the success of alternative beverage producers,have many factors. First, is Productinnovation, Product Innovation can be done by customizing product ingredient, flavor, packaging, or the benefit that product offer to consumer. Second, Focus in one segment can be the best strategy like Red Bull. Their focus in energy drink segment make them became the market leader in energy drink. Third, there are many type of channel distributor, like supermarkets, natural foods store, wholesale clubs, convenience store, and restaurant. The company’schoose is depends on the company resource. Example PepsiCo and Coca Cola were dominating convenience store and special event channel. However, for company with limited resource use third parties channel distribution will has lowest cost in transportation and labor. Fourth, use the right supplier can reduce production cost. The last one is Brand image, the right promotions that really connect with the product image will make the brand and product can penetrate the market.

Love in the Time of Cholera | Analysis

Love in the Time of Cholera | Analysis Gabriel Garcia Marquezs Love in the Time of Cholera can be interpreted as a romance novel in which star-crossed lovers meet, are then torn apart, and half a century later fall into bed with one another re-igniting the flame that fate stole from them. However, the romance of Florentino Ariza and Fermina Daza is not one of those stories. What may have initially appeared to be an innocent story about love may not be. M. Keith Booker has demonstrated that the novel provides warnings against gullibility in reading, and indeed, there are several incidents early in Love in the Time of Cholera that inform the reader that appearances can be deceiving. In the novel, love is a sickness; a virus that eats away the substance of a man. The falsehood of love that Florentino Ariza feels is a decaying illness destroying his physical and mental form; turning him into an apparition of welted camellias. The illness was injected into Florentino Ariza as he walked into the Dazas house. It was â€Å"half in ruins,† â€Å"with weeds in the flowerpots and a stone fountain with no water,† (54) standing in front. The house signified the sickness to come to Florentino. Flowers throughout the rest of the novel take the impression of the love between Florentino and Fermina, but to miss the setting of the first meeting of the two lovers is to misinterpret the entirety of the novel. The â€Å"weeds in the flowerpots† is the false love they share, the weeds are a valueless plants growing wild, those that grow on the cultivated ground and add injury to the desired crop; which in this case is the love between Florentino and Fermina. The fountain once again represents the emptiness of Florentino and Ferminas love as well as Florentino himself. From first seeing Fermina in the house on Florentino â€Å"began his secret life as a solitary hunter† in which he sat underneat h â€Å"the shade of the almond trees.†(56, 56) The scent almonds is the scent â€Å"of the fate of unrequited love,† (2) the scent that is associated with Jeremiah de Saint Amours death, and the scent of Fermina Daza. The suicide of Jeremiah de Saint Amour sets up the foreshadowing of Florentinos love and what it will ultimately do to him. It is no wonder that the scent of â€Å"bitter almonds† (2) is compared to that of cyanide, as well as the smell of Fermina. The intoxicating aroma of Fermina fills Florentinos heart with crystals ultimately killing him there in the park as he endows her with â€Å"improbable virtues and imaginary sentiments.† (56) In other words, he idealizes her. It is this unrealistic conception of Fermina that leads to a half-century of waiting, watching and stalking, infected by the weeds of love. Marquez wrote: â€Å"When he began to wait for the answer to his first letter, his anguish was complicated by diarrhea and green vomit, be became disoriented and suffered from sudden fainting spells, and his mother was terrified because his condition did not resemble the turmoil of love so much as the devastation of cholera† â€Å"..he had the weak pulse, hoarse breathing, and pale perspiration of a dying man†Ã¢â‚¬ He prescribed infusions of linden blossoms to calm the nerves and suggested a change of air so he could find consolation in distance, but Florentino Ariza longed for just the opposite: to enjoy his martyrdom.† (61, 62, 62) Florentino Ariza literally takes on the sickness of love, as if Fermina had infected him with a bacterial disease known as Cholera. Marquez purposely parallels the sickness of cholera and Florentinos love sickness to exploit the falseness of the love felt by Florentino. The fact that Florentino enjoys his suffering points out the reality of his feelings for Fermina, that he does love her; that he is in love with the suffering caused by the idea of loving her. Fermina is an independent, headstrong person who is sophisticated and capable; Fermina prides herself on her unfaltering, haughty composure. Marquez depicts her as a level headed woman whose ideals are realistic, therefore it is of no concern when she writes to Florentino saying â€Å"When I saw you, I realized that what is between us is nothing more than an illusion.†(102). although, critic ___________ believes that Fermina is â€Å"impulsive† based off her sudden realization, in actuality she is only grown. The time apart from Florentino has taught her that the love between them was truly an illusion that was built up in their minds. She came to the conclusion that the love was nothing more than a childhood crush. However, Florentino did not have the option to grow from Fermina because the separation was nothing new to him. The Fermina Daza he loved was not a physical woman but a sickness running through his veins, she was a phantom of â€Å"improbable virtues and imaginary sentiments.† (56) Fermina the phantom was always with Florentino, she was in his mind and no amount of time could take that away from him. From the moment he gave his letter to Fermina he locked himself into a prison counting the days until he could be free from his self made prison. The virus of Fermina did not break even after the â€Å"fifty-one years and nine months and four days† (103) of waiting, for the prison he built was solely a monument to Fermina. He based the entirety of his life on her and achieving her as if she was a â€Å"golden† prize to win. When Florentino sees her for the first time from her honeymoon, he re-iterates his vow for her. Marquez writes: â€Å"The day that Florentino Ariza saw Fermina Daza in the atrium of the Cathedral, in the sixth month of her pregnancy and in full command of her new condition as a woman of the world, he made a fierce decision to win fame and fortune in order to deserve her.†(165) Florentino based the rest of his life on solely reaching Fermina, not even to marry her as Marquez makes sure not to mention but to â€Å"deserve her† once again suggesting that the love he felt was one of falsehood. Any chance of Florentino of living his life for him in the chance of happiness is shattered here. Any substance that could be squeezed from him is abolished once again in seeing Fermina from a distance â€Å"six months pregnant,† the fact that he saw her pregnant from a distance reinforces that Florentino does not perceive of Fermina as an actually person but rather that woman in his mind. His â€Å"fierce decision† was beyond the thought of a rational man, for Fermina was married and was pregnant to represent that marriage. However, this point in Florentinos life is when he will stop at nothing to reach his dream of Fermina. He devotes his life to the river company until the day he can reach Fermina. Florentino becomes a man in the background to walk the dark city nights; he lives his adult life in the shadows of women. Feeling that sex â€Å"eases the pain of Fermina Daza† (). (( He puts himself in to affairs with other woman whether they are married or not. The narrator only describes a very small fraction of his six hundred and twenty-two long-term affairs, but of the ones he does relate, several offer a picture of a man less than deserving of Ferminas — or any womans — love. One of Florentinos lovers, Olimpia Zuleta, is murdered by her husband when she inadvertently shows him the possessive inscription that Florentino painted on her belly. It is also revealed late in the novel that Florentino is a rapist who, after impregnating a maid behind his house, bribes her to put the blame on her innocent sweetheart. Perhaps most condemning is Florentinos seduction of Amà ©rica Vicuà ±ia, his fourteen-year-old blood relative who is entrusted to him while she att ends secondary school. What is most disturbing in his relationship with this girl is the manipulation he uses to create the illusion of acquiescence. When he meets her, she is still a little girl with the scrapes of elementary school on her knees, but Florentino spends a year cultivating her with ice cream and childish afternoons, until finally winning her confidence and affection. These are love affairs not one night stands, Florentino had feelings for these women (some of them anyway), this love life points out the falsehood of Florentinos love for Fermina. He manipulates woman, all of them. From the time he receives Ferminas letter of insults, Florentino begins to devise a new strategy — a new method of seduction.() He plans everything down to the last detail, as if it were the final battle.() He departs from his usual imitative writing style and composes an extensive meditation on life which he disguises in the patriarchal style of an old mans memories. The letters help Fermina find new reasons to go on living, but Florentinos cunning plans complicate what she interprets as heartfelt emotions. He is also dishonest with her in person; when she asks him why he never competed in the Poetic Festivals, he lies to her () and says that he wrote only for her.() It is true that part of his intention is to give Fermina the courage to discard the prejudices() of society, and to think of love as a state of grace,() but his contemptible past makes it impossible to differentiate his good motives from his selfish, destructive ones.)) Marquez expels Florentino and Ferminas false love during the final pages of the book. He depicts a forsaken country on the river were the elderly couple float down. â€Å"The river became muddy and narrow[†¦] flatlands stripped of entire forests that had been devoured by the boilers of the riverboats [†¦] there were no more wars or epidemics, but the swollen bodies still floated by.†(336) Florentinos relationship with Fermina was not as full but rather a narrow and muddy. The life he led with the sole purpose of being with Fermina and the illusion that followed striped the forest of his life bare leaving nothing but â€Å"flatlands.†(336) The monomaniac idealism of Florentino leads him to strip away everything in his life other than the â€Å"muddy and narrow† (336) river that is his relationship with Fermina. Even though he defeats all the â€Å"wars† and â€Å"epidemics† (336) in order to reach Fermina there are still corpses that float by, the corpses of falsehood and past lovers. The love between them is as narrow as the river. Florentino is as dead and bare as the country side. The ultimate contradiction comes in the very last words of Florentino in which he tells the captain to sail the â€Å"New Fidelity† (343) to sail â€Å"forever.†(348) The impossibility of that statement at first glance seems as the perfect way to end a romantic novel. However, this is not Marquez intention. The wood that is needed to fuel the ship has been depleted to none, due to Florentinos mismanaging of the river company because his mind only grasped the falsehood of Ferminas love. Eventually the elderly couple will have to come to realize the impossibility of their love and come to the truth that â€Å"Its dead.†(340) Florentino will have to come to the truth that Fermina has poisoned his mind and body and that she is and was only an illusion in his mind.

Language, Action and Time in Samuel Becketts Waiting for Godot Essay

Language, Action and Time in Waiting for Godot Twenty-two hundred years before the emergence of the Theater of the Absurd, the Greek philosopher Artistotle stumbled upon one of the themes developed in Samuel Beckett's play Waiting for Godot; that is, that Thought (Dianoia) is expressed through Diction and that Thought (Theoria) is in itself a form of Action (Energeia). Intellectual action is thus measured equally in comparison to physical action. Over the centuries, theories regarding thought, action and language have evolved considerably, but certain underlying themes in Beckett's unconventional work can trace their origins back to Aristotle's original concepts concerning drama, namely the relationships between language, thought and the action involved in contemplation. Aristotle proposes that Thought and Diction imitate Action. In Beckett's Waiting for Godot, it is possible to see a similar pattern (that when taken a step further is no longer linear but circular), in which Language permits the existence of Thought which in turn becomes vicarious Action. (Ironically, this whole process which is portrayed by Beckett on-stage is equivalent to the art of theater itself which, manifested through language, permits the audience offstage, whose witnessing of a play replaces imagining it, to undergo the same process in acting vicariously through the characters.) The first and more interesting part of the process is best illustrated by the ending of both acts when Vladimir, and then Estragon, says "Yes, let's go" and the stage directions indicate "They do not move". It suffices simply to say and subsequently to think of leaving, for there is no more meaning in the vicarious action than in its actual physical manifestation. ... ... Vladimir who comments about the condition of Estragon's feet: "There's man all over for you, blaming on his boots the faults of his feet." The boots represent god, for each is an external object that man contrives to protect himself. Beckett is saying that man should not blame the devices that he creates when they fail to protect him from himself, but should rather accept the responsibility for their failure as he is the creator of those devices. If god does not fill man's existential void, instead of hopelessly waiting for that unreliable god to come and rescue him, he should consider looking to himself to resolve the problem of the meaninglessness of his life. Bibliography Aristotle. Poetics. Tr. S.H. Butler. New York: Hill and Wang, 1977 Beckett, Samuel. Waiting for Godot. New York: Grove Press, 1954 Durozoi, GÃ ©rald. Beckett. Paris: Bordas, 1972

Argument for Paying College Athletes Essay

Have you ever heard of a business that made billions of dollars, yet did not pay their employees? Seems pretty remarkable doesn’t it? Well this business is known as the NCAA. According to an article in the New York Times, the NCAA made $770 million from just the three-week Men’s Basketball Tournament, but how much did the athletes who participated in said tournament receive? If you said zero then you would be correct. The athletes that poured their blood, sweat and tears into practice everyday and into the 30 plus game regular season did not see a dime. It is hard to fathom how an industry of this size can make so much money, yet not allow the athletes that help them make that money see any dividends. Being a college athlete myself, I have lived the struggle of trying to maintain grades, while going to practice and games during the week. Imagine trying to keep a job during this hectic schedule. It is hard for college athletes to find extra money to get a pizza or go see a movie. It is especially hard for athletes coming from tough backgrounds. Two out of every five Division I athletes come from single parent homes and athletics are their only opportunity to provide a future for themselves and their families. It is not easy for these students to get jobs because their schedules are already full. For example, many division I football teams practice twice a day. A day for a division I football player could look like this: practice-6 a.m., class-9 a.m., class-11 a.m., and practice-2 a.m. By the time they are done with the second practice of the day their day is practically over. They still have to eat dinner and possibly do homework. This leaves no time to get even a part-time job. It also raises the question of how these athletes obtain extra spending money? If you are an athlete like Johnny Manziel, who comes from a rich oil family, money comes easily and is not a concern. For those who are less fortunate and come from a single parent home or from a poor household the money does not come  easily. So when a coach approaches and says, â€Å"Hey, let me buy you lunch,† many kids do not think twice and accept the $20. This goes against NCAA rules and if found out there is an investigation which could result in a suspension. College athletes can observe while walking to class or on the field students wearing jerseys with their name and number on them. Schools can charge anywhere from $50-$70 for a jersey like that, and where does that money go? It goes directly to the school and the athlete whose jersey is being worn all around campus will not see a dime of it. In the early 90’s while the Fab Five was at the University of Michigan, Chris Webber, Jalen Rose, Juwan Howard, Jimmy King and Ray Jackson started a college basketball revolution. Michigan became the first school to ever start five freshman in a college basketball game. These five wore baggy shorts and black socks. They took the nation by storm and soon Michigan merchandise was flying off the shelf. None of the Fab Five saw any compensation and when they took notice of what was happening they started to question why. It is well documented in the ESPN film The Fab Five; all five wondered why they were not seeing any dividends from all the me rchandise being sold. Jalen Rose came from a rough neighborhood in Detroit, so he fell into the category of the struggling college athlete. He admits during the film to taking money at times to buy pizza. Current Houston Texans running back Arian Foster said he received money on the side while he attended the University of Tennessee. In a recent Sports Illustrated article he said, â€Å" I don’t know if this will throw us into an NCAA investigation—my senior year, I was getting money on the side (Sports Illustrated, 2013).† He went on to say, â€Å"I really didn’t have any money. I had to either pay the rent or buy some food. I remember the feeling of like, ‘Man, be careful.’ But there’s nothing wrong with it. And you’re not going to convince me that there is something wrong with it (SI, 2013).† This is the feeling of many college athletes that were in the same boat or that are currently in the boat. They may not know where their next meal is coming from or how they are going to afford a car payment. Many will take money and not even question it. They know what they are doing is wrong and they  are putting themselves and the school in jeopardy. At the time the reward is worth the risk they are taking. There are many other cases happening across the country that no one knows about. It is interesting how Foster came out and said how he felt that it was not a big deal and that he did not think he was doing anything wrong. He would fall into a large percent of college athletes that feel it is unfair for them to not see anything from all the revenue they bring in. Many will argue that college athletes do not need to be compensated because they are student-athletes; and the key word for them is student. One argument against paying college athletes is that they are basically receiving a free education from a top school. A four-year scholarship will cover everything a student-athlete needs. This includes: tuition, room and board, books, medical coverage and meals. For example, Duke University costs $57,180 to attend (Bleacher Report, 2013). Those on an athletic scholarship at Duke are receiving a high quality education and are paying practically nothing for it. This is the main argument that those against paying student-athletes use. Most college athletes will not turn professional and therefore will need the degree from whatever school they attend to obtain a job after graduation. Those who are talented enough to be drafted into the professional ranks of their sport will sometimes forgo obtaining their degree in favor of the money offered at the professional level. The downside to this is that an injury can end their career before it even starts; and those that did not obtain their degree will struggle to find a source of income if they are forced to quit or retire from their sport. Another argument used is that student-athletes are not really worth anything until they reach the professional ranks (Bleacher Report, 2013). Those who use this argument believe that if a student-athlete is good enough to get paid then they will be compensated when the time is right. However, this overlooks the efforts of athletes who play all throughout college, yet do not make it to the professional level. There are many other arguments used but a common one is paying college athletes will not eliminate scandals. Scandals are not new to college sports. There have been numerous point  shaving scandals and the argument is that even paying college athletes will not stop those scandals from happening. Paying college athletes is a hotly debated topic and will be so for the foreseeable future. There will be well made arguments for both sides; but in the end college athletes need to receive some sort of compensation. With all the revenue they bring the school there needs to be a system in place to give a kickback to the athletes. There are many ideas and plans that can be put in place to give some sort of compensation. Student athletes will not have to worry about where their next meal is coming from. It is up to the NCAA and the schools to come up with a system and stick by it. References Dirlam, Z. (n.d.). Retrieved from http://bleacherreport.com/articles/1588301-theres-no-crying-in-college-the-case-against-paying-college-athletes Nocera, J. (n.d.). Retrieved from http://www.nytimes.com/2012/01/01/magazine/lets-start-paying-college-athletes.html?pagewanted=all&_r=0 Remy, D. (2012). Why the New York Times’ Nocera is wrong. NCAA News, 5. Arian Foster admits in documentary he took money at Tennessee – College Football – SI.com. (n.d.). Retrieved from http://sportsillustrated.cnn.com/college-football/news/20130920/arian-foster-documentary-comments-about-being-paid-at-tennessee/ NCAA won’t budge on paying college athletes – ESPN. (n.d.). Retrieved from http://espn.go.com/college-sports/story/_/id/9682086/ncaa-budge-paying-college-athletes

Portfolio of Chinese contemporary artist Cai Guo-Qiang

Cai Guo-Qiang is a Chinese contemporary artist, curator and internationally recognized as a creator of large scale explosion events. He was born in Quanzhou City, Fujian Province, China in 1957 and lives and works in New York. From 1982-1985 he trained in stage design at Shanghai Drama Institute.His practices on wild life, Chinese medicine, fire works and gun powder. He explored the properties of gunpowder in his drawings when he was in Japan from 1986 to 1995. In 1996 he was selected for finalist for Hugo Boss Prize and in 1999 in 48th Venice Biennale he holds the Golden Lion award and he was awarded the 7th Hiroshima Art Prize in 2007. In 2009, he was awarded the 20th Fukuoka Asian Culture Prize[1].The Chinese art was influenced by the New Culture Movements of Western techniques. The aim of new Chinese art is to make contemporary Chinese art accessible to a global audience. For these; it presents several portfolios with 100 contemporary Chinese artists. Some of the selected exhibit ions and projects of China are I Want to Believe, Stage One and Illusion, Explosion Project for the Festival of China, Louisiana Museum of Modern Art and Flying Dragon in the Heavens.Cai Guo-Qiang was first exhibited by the Guggenheim in 1996. I want to believe is the first solo exhibition of an Asian artist organized by Guggenheim Museum of Bilbao in 2009. It is funded by the National Endowment for the Arts and some additional individuals and foundations support. This exhibition charts the artist’s creation of gunpowder drawings, explosion events and social projects and promotes the understanding of Chinese arts and culture worldwide[2].  If there is no action the artistic work of Cai Guo – Qiang is nothing. â€Å"I want to believe† is the creative body work with illustration and visually. It is about the pain and bliss of aggressive explosions–celebratory fire-works versus deadly car bombs.â€Å"I want to believe† significance comes from modern ity, secularism and human kind. â€Å"I want to believe† shows the truth of the era and also increase the awareness. â€Å"I want to believe† is the creation and innovation of the intelligence. â€Å"I want believe† got the concentration of the cross cultures.â€Å"I want to believe† is the artistic art work. It got the interest of the viewers without artist’s intention.   â€Å"I want to believe† is the â€Å"explosion event† by Cai. To show pure energy force Cai used fire works in â€Å"I want to believe†. It is the great art of work with energy.â€Å"I want believe† is know for its explosives. It’s the combination of gunpowder, explosives etc. It shows 80 artistic works from past to present. It is also consists installations and social projects. I want to believe is the magnificent and famous work by Cai[3].â€Å"I want to believe† is the combination cultures and creation. His works are hugely inspired from locations. He explores wide variety art forms .He is best known for his â€Å"fire works†All his works are got inspired from ancient cultures of Chinese. His works mentions Buddhism and martial arts frequently. His works always speaks about the fight between human and nature. His work also mentions about Maoist and Taoist themes. His work is expensive in market of power and product.â€Å"I want to believe† is huge with sight and sound of explosions. It speaks about the artistic work of the art. I want to believe is the work of revolution and aggression[4].Conclusion:Cai Guo – Qiang is an extraordinary artist of twenty first century. He is a transnational artist of extraordinary creative vision and illustration, his structure are inherently unstable, dealing with expenditure of materials and ideas of transformation.Although his work is very expensive to imagine and also to realize his works always speaks about wide variety of aspects such as Capitalism, Sec ularism, Martial arts, Buddhism, Maoist, Taoist, Cross cultures, Transformation etc .His work also shows the combat between the nature and man.Reference:Gersh-Nesic, Beth S. â€Å"Cai Guo-Qiang: I Want to Believe†. Arthistory.about. 2008. Web. 2 June. 2010. Guggenheim. â€Å"Guggenheim Museum Presents Cai Guo-Qiang: I Want To Believe† Guggenheim. 21 May, 2008. Web. 2 June 2010. .Guo-Qiang's, Cai. â€Å"Biography†. Pbs. 2007. 2 June 2010. Smith, Roberta. â€Å"Cars and Gunpowder and Plenty of Noise† The New York Times. 22 February. 2008.[1] Guo-Qiang's, Cai. â€Å"Biography†. Pbs. 2007. 2 June 2010.   [2] Guggenheim. â€Å"Guggenheim Museum Presents Cai Guo-Qiang: I Want To Believe† Guggenheim. 21 May, 2008. Web. 2 June 2010. .[3] Gersh-Nesic, Beth S. â€Å"Cai Guo-Qiang: I Want to Believe†. Arthistory.about. 2008. Web. 2 June. 2010. [4] Smith, Roberta. â€Å"Cars and Gunpowder and Plenty of Noise† The New York Times. 22 Febru ary. 2008.